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This body of work includes, to invoke just a few examples, Pietro Tacca’s equestrian monument to Philip IV (1640); three important equestrian statues of George Washington in Manhattan (1856), Richmond, VA (1858), and Washington, DC (1860); similarly important equestrian statues of Napoleon I in Paris (1852), Rouen (1853), Cherbourg-Octeville (1858), Laffrey (1868), and Montereau-Fault-Yonne (Second Empire).
An equestrian statue is a statue of a rider mounted on a horse, from the Latin "eques", meaning "knight", deriving from "equus", meaning "horse". A statue of a riderless horse is strictly an "equine statue". A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, more recently, military commanders.
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